Celise Gibson, <i>Steganography #21, Steganography #7, Steganography #8</i>, 2015, projected photographic stills on perspex. Celise Gibson, <i>Steganography #7, Steganography #8</i>, 2015, projected photographic stills on perspex. Celise Gibson, <i>Steganography #29</i>, 2015, projected photographic still on perspex. Celise Gibson, <i>Steganography #29</i>, 2015, projected photographic still on perspex. Celise Gibson, <i>Steganography #17</i>, 2015, projected photographic still on perspex. Celise Gibson, <i>Steganography #7</i>, 2015, projected photographic still on perspex. Celise Gibson, <i>Steganography #7</i>, 2015, projected photographic still on perspex. Celise Gibson, <i>Do you speak my language?</i> (detail), 2015, photographic installation. Celise Gibson, <i>Do you speak my language?</i> (detail), 2015, photographic installation. Celise Gibson, <i>Our Dust #1- #4</i>, 2013-2014, photographs printed on photo rag paper. Celise Gibson, <i>Our Dust #1, Our Dust #2</i>, 2013-2014, photographs printed on photo rag paper. Celise Gibson, <i>Our Dust #3, Our Dust #4</i>, 2013-2014, photographs printed on photo rag paper. Celise Gibson, <i>Untitled #1, Untitled #2</i>, 2014, video works. Celise Gibson, <i>Untitled #1</i>, 2014, video work. Celise Gibson, <i>Untitled #2</i>, 2014, video work.

Disjecta
Celise Gibson
11th - 14th March

Disjecta explores family history and the on-going influence of heritage on the individual. Gibson's work deals with a range of forces and effects including the relationships between archival materials and digital technology, as well as her mixed Indigenous and Slovenian heritage, knowledge and absence, and the relationship between past and present.

Seeking processes that translate archival materials and gaps in information, Gibson employs scanners, glitch apps, 3D printing and photo-hacking to create material metaphors for the connections and disconnections that shape our sense of self.