Dennis McCart, <i>Osaka Temmangu Shrine, Osaka; Iwade's Spaceboy, Wakayama;Kawabe town dancers; Taima Temple, Nara</i>, 2014 oil on linen. Dennis McCart, <i>Nuts and Bolts of Yokohama</i>, 2014, oil on linen Dennis McCart, <i>Pool of Tears Hiroshima</i>, 2014, oil on canvas Dennis McCart, <i>Blossoms of Nara</i>, 2014, oil on canvas Dennis McCart, <i>Flower of Himeji</i>, 2014, oil on canvas Dennis McCart, <i>Taima Temple, Nara</i>, 2014, oil on linen Dennis McCart, <i>Iwade's Spaceboy, Wakayama</i>, 2014, oil on linen Dennis McCart, <i>Kawabe town dancers</i>, 2014, oil on linen Dennis McCart, <i>Pyramid of Blumba, Brisbane</i>, 2014, oil on linen Dennis McCart, <i>The Coming Storm, Hawthorne, Brisbane</i>, 2014, oil on canvas Dennis McCart, <i>Shuriken of Kyoto, Nakagyo</i>, 2014, oil on linen Dennis McCart, <i>Yellow Target, Norman Park, Brisbane</i>, 2014, oil on linen

Beneath our Feet
Dennis McCart
24th - 27th June

Dennis McCart's practice focuses on ‘Edgelands’; liminal zones and banal structures often unobserved or ignored. Inspired by the mass-produced object of the utility lid and the repurposing of lids in Japan, McCart's Beneath our Feet documents utility lids in both Australia and Japan, comparing notions of production, commodity, and cultural perceptions of beauty and ugliness.